by rudyards | January 19th, 2014
Ultra Bidé (Kyto, Japan)
https://ultrabide.net/
Ultra Bide` was formed in Kyoto-City, in 1978. played as core of ” KANSAI NO WAVE ” with Aunt Sally, INU, SS and others at the time. Ultra Bide` had a significant impact on the Alternative scene, punk, new wave, noise, and avant-garde in Japan. In 1980, The First Japanese Punk Record ‘DOKKIRI RECORD’ was released. In 1984, original ULTRA BIDE was released by Alchemy Records as Alchemy Records’s first 12 inch LP. 1985, Ultra Bide` move to Brooklyn, New York. U.S.A. to activity base, and released ” GOD is GOD PUKE is PUKE ” from Alternative Tentacles, Jello Biafra label in 1995. Ultra Bide` have moved to palying field in world-wide, U.S.A. CANADA, Europe and Japan. Between, 1995-1998 two Albums and one EP relessed as LP/CD. In 2001, Hide was back to Japan, Ultra Bide’ re-started as Twin Bass & Drums sound just, PUNK-ART-ELECTRO-MASSIVE-ATTACK-ROCK! In October 2013, Ultra Bide` will release new album ‘DNA vs DNA-c’ from Alternative Tentacles. and this time Ultra Bide` go to play entier Earth near your house, Club and Art Space to Journey to the Centre of the Earth with DNA vs DNA-c. Back into OLD SCHOOL to NEW SCHOOL to JUST PUNK ART ROCK to Blow Up your L & R Braines!
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Talk Sick Brats (Houston, TX)
https://www.facebook.com/talksickbrats
3 piece 70′s style punk attack from Houston.
BRYAN FUNBOY- DRUMS VOX
DIRTY STEPH- GUITAR VOX
DIRTY JEFF- BASS VOX
Days n Daze (Houston, TX)
https://daysndaze.com/
P.L.X.T.X.(Houston, TX)
https://plxtx.com/
Bradley Muñoz – - birth place – Houston, TX – October 1st, 1990.
born with a speech impediment. Bradley’s elementary years of communication was a routine struggle. His form of relief from his constant body aches and shortness of breaths was music. Bradley became fascinated by the goose bumps he received from listening to certain sounds. Over the years of self teaching and obsessive learning… After being exposed to Rock music. He dreamed of doing it big.
Disbursing capital, crying eyes, a burning passion& broken dreams.
In his last act named, Female Demand… He had went far. Recording with Manny Nieto (HEALTH, CIRCLEJERKS) & Working with Sonny Kay. (founder of GSL/Visual Artist)
In August 2012, he left Female Demand & the Rock World; Bradley dove into the underground Electronic sea. He welcomed the DIY culture.
picking up a laptop computer
he formed. . .
P.L.X.T.X , pronounced “Pluto” — a type of disgust and rage to spare but a deep love for music dissonant. Its small napalm burn this fire burning expensive abrasive compositions Venetian Snares to Aphex Twin (Come to daddy period) until Atari teenage riot. It is close to the fury of the sound crew Alec Empire, drum’n’bass breakbeats as overwhelming rumbling explosions interspersed with crackling and larsens hyper-strident.
what transpires in this flood punitive is the transcript of a consistent ethic and artistic freedom claimed to blows with an iron bar.
P.L.X.T.X is pure violence and hatred in the world today that primal drives us to inject a mixture bath-salts-speedball-krokodil in the veins and break everything that passes under the left hand that is the skull a living being.
In a few words: Ultra-violent, ultra-dissonant, ultra-fast.